The backing texture of "Fight the Power" is made of up layers of vocal clips and sound fragments called __________

Which of the following is LEAST associated with women's theatre?

a. Marsha Norman's Getting Out b. Wendy Wasserstein's Uncommon Women and Others c. Beth Henley's Crimes of the Heart d. Ntozake Shange's For Colored Girls….. e. Judith Malina's Living Theatre

In what ways did film production in the Soviet bloc nations adhere to and depart from the Soviet industry structure and the Socialist Realist aesthetic? Specifically, how did "de-Stalinization" affect film practice? Support your answer with an analysis of the films of Polish director Andrzej Wajda.

What will be an ideal response?