In what ways did film production in the Soviet bloc nations adhere to and depart from the Soviet industry structure and the Socialist Realist aesthetic? Specifically, how did "de-Stalinization" affect film practice? Support your answer with an analysis of the films of Polish director Andrzej Wajda.

The forerunner of the modern director in the Middle Ages was called

a. a play master. b. a playwright. c. an actor-manager. d. an actor-priest.

A good example of a Surrealist poetic object is:

A. L'Enfant Carburateur by Francis Picabia. B. Bottle Dryer by Marcel Duchamp. C. The Persistence of Memory by Salvador Dali. D. the Wassily chair by Marcel Breuer. E. Object (Luncheon in Fur) by Meret Oppenheim.