Which performers where known as soul artists (not Motown artist)?

According to Sayre, what are the three steps in the process of "seeing"?

a) reception, extraction, inference b) detection, processing, reference c) looking, seeing, believing d) reception, interpreting, understanding

For any play (or one selected by the instructor) you have read, imagine that you are the producer and must select a theatrical configuration in which to produce the play. What are some of the issues related to that configuration you must consider? How might the audience experience the play within that space?

What will be an ideal response?