What were some of the features of this new hybrid music? How can this type of music be considered “culturally authentic”?
What will be an ideal response?
• Traditional pieces such as "Great Waves Washing the Sand" (see above discussion of the musician Abing) became fixed in detailed notation and more identified with a composer or arranger; musical instruments were redesigned to play equal-tempered (Western) tuning, produce more volume and cover a wider range; contemporary performance contexts—recital, recording studios, broadcasts, and Western-style classes at schools and music conservatories; earlier practitioners of older traditional music were dismissed as "crude and out of tune"; new genres were created, e.g., the urban entertainment genre called Cantonese music.
• "For their part, the musicians concerned may see the adoption of technology like the electric guitar or staff notation as no more than an essential process of keeping up with the times." Thus, their music remains culturally authentic and relevant.
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"Opera" was a form that didn't have to follow strict Neoclassical rules
Indicate whether the statement is true or false
How did the musicians of the New German School view the question of how the great music of the past should be played? a. They had no concern for the music of the past and were only interested inperforming modern works
b. Scores should be freely interpreted, rearranged, and altered to suit themodern performer. c. Performers should adhere exactly to the score.