How did the musicians of the New German School view the question of how the great music of the past should be played?
a. They had no concern for the music of the past and were only interested inperforming modern works
b. Scores should be freely interpreted, rearranged, and altered to suit themodern performer.
c. Performers should adhere exactly to the score.
b
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Which of the following is essential to creating that 'swing' feeling?
a. A recurring melody with complex harmonies. b. A steady tempo played with spirit and feeling. c. A dramatic change in dynamics by the horns. d. A series of fluctuating tempos from the piano and bass.
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Which of the following was a renowned tea master and teahouse designer?
A. Sesshu Toyo B. Suzuki Harunobu C. Sen No Rikyu D. Kenzo Tange
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