Generally the French posters of the 19th century were
a. woodblock prints.
b. engravings.
c. etchings.
d. lithographs.
e. photographs.
d
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The architectural design for the Palazzo del Tè (Fig. 21-20) plays on the patron's knowledge of _____________
A. Classical orders and proportions B. building materials and techniques C. contemporary Italian literature D. Christian symbolism
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Graffiti is considered vandalism rather than a valid art form because it never expresses any meaningful ideas
Indicate whether the statement is true or false
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