The architectural design for the Palazzo del Tè (Fig. 21-20) plays on the patron's knowledge of _____________

The walls of the Taj Mahal are inlaid with semiprecious stones in a mosaic technique called pietra dura that the Moguls learned from the

a) Italians. b) Portuguese. c) English. d) Persians.

The resolution of Elizabeth I’s “On Monsieur’s Departure” consists, at least explicitly, of

a. a plea for her to lover return. b. a plea for her lover to stay away. c. a plea to be released from suffering. d. a plea to have her love returned.