How did Eisenstein create "collision montage" in the Odessa Steps sequence in Potemkin? How successful was the result?
What will be an ideal response?
The director juxtaposes close-ups with long shots, vertical designs with
horizontals, darks with lights, downward motions with upward, traveling shots with
stationary setups, lengthy shots with brief cutaways, and so on. The sequence is so
famous it has been parodied many times throughout the later half of the 20th century,
including a special homage by Brian De Palma in The Untouchables.
You might also like to view...
__________ is a speaker's physical features, including dress and grooming
Fill in the blanks with correct word
If an employee expresses emotion that has its genesis outside of the office but is experienced in the place of work, then what type of emotion does this scenario describe?
a) Emotion at wor b) Emotion toward work c) Emotion with work d) Emotional work