The problem of suffering, woman as transgressor, and curiosity are all part of the

a. Greek myth of Pandora.
b. Greek myth of Persephone.
c. Haida creation myth.
d. Mesopotamian Epic of Gilgamesh.

a

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Kabuki theatre adopted the proscenium arch from Europe in the late nineteenth century

a. true b. false

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Compare fresco secco to true fresco. What is the purpose of fresco secco?

What will be an ideal response?

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