The British Invasion is:
A. Musicals with little or no dialogue between the
songs.
B. Incredibly lifelike, classical British puppetry form,
in which each puppet is manipulated by three
puppeteers
C. A term for a wave of musicals, primarily during the
70s and 80s, that transferred to New York City from
the West End of London and topped the lists of
longest-running Broadway musicals into the 90s.
D. A term used by some historians to refer to a period
in the twentieth century when the integrated
American musical was at its height, roughly from
1942-1968.
C.
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Robert Smithson's Spiral Jetty (fig. 10.23) is an example of __________
A. junk art B. earthworks C. traditional sculpture D. funk aesthetic
Which of the following is NOT an appropriate question to ask yourself when analyzing the acting in a production?
a. Did the actors' physical bearing seem consistent with the words being spoken? b. Is the actor setting an appropriate tempo for the character? c. Did the actors seem to be listening and reacting to one another? d. Are the actors attractive to me?