Tilman Riemenschneider created a sense of fluid motion in his Assumption of the Virgin through _____

During the Spanish Golden Age, the term autos sacramentales referred to

a. secular plays. b. one-man shows.secular plays. c. plays that followed the unities. d. religious plays.

In his film La Strada, how did director Fellini depict the heroine’s character through music?

A. by creating a musical motif built around her melancholy trumpet playing B. by associating specific pop tunes of the 1950s with the heroine C. by using rock ’n’ roll to depict the heroine’s rebellion against conventional morality D. purely as a “representational” element by mickey-mousing the music