The Nakagin Capsule Building in Tokyo (fig. 13.32) is an example of__________

Which of the following media did Hendrick Goltzius base his engravings on?

a. architecture b. drawing c. sculpture d. painting

This term has to do with the audience’s ability to remove themselves from a work of

art just far enough so that they can contemplate it—or even judge it.

a) Spectator Aloofness b) Art Detachment c) Aesthetic Distance d) Aristotelian Remoteness e) Quasi-participation