Peter Paul Rubens's twisted and powerful figures in the Elevation of the Cross demonstrate the artist's admiration of _____

This particular composition relates best to which of the following?

a) the convention of opera b) a secret program c) the conventions of the symphonic poem d) the character piece

"Folio", "Funding Cut" and "The Banshee" are all similar in that

A. they were written for the theater. B. allow the performer to chose the timing of the music. C. use non-standard notation. D. are mathematically structured.