Kofi Kakari was a ruler of the ___________ people of Ghana

The Open Theatre's The Terminal

A. was developed over two years of experimentation. B. was a based on a play written by Joseph Chaikin. C. was a high conception production of a classic text. D. all of the above.

In fusion settings, comping was no longer the preferred form of accompaniment behind soloists; it was

replaced by

a. repeated vamps or ostinato figures b. simple drum patterns c. extensive melodic themes that invoke the main melody d. rhythm style guitar chords