Rather than using atmospheric perspective, in Landscape with the Burial of Phocion, Poussin depicts objects farthest away as clearly as those in the __________

Which of the following best exemplifies multiculturalism in the theatre?

A. Cherrie Moraga's plays about Chicano identity B. Peter Brook's The Mahabharata C. participation by artists from around the world in international theatre festivals D. Eve Ensler's The Vagina Monologues

The Marius trilogy covers about twenty years in the lives of its three central characters. Although the slow pace derived in part from the stage origins of the films, Marcel Pagnol was also striving to:

A. compensate for the rapid-fire quickness of the dialogue. B. provide a specific number of close-ups of his leading actors. C. emulate the directors of the early French silent cinema. D. capture the meanderings and shifts in tone that characterize everyday conversation.