Describe Louis XIV's Versailles in terms of a symbol of royal absolutism and an expression of the Classical baroque style

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Louis XIV was determined to become the sole authority of France and its legacy. To distinguish his unrivaled authority, he took as his official insignia the image of the Classical sun god Apollo and referred to himself as le roi soleil ("the Sun King"). Louis's desire for fame and glory led him to spend resources indiscriminately to create symbols of majesty, such as his palace at Versailles. More than a royal residence, Versailles was—in its size and splendor—the symbol of Louis' supremacy over the landed aristocracy, the provincial governments, the urban councils, and the Estates General.
The plan of Versailles, laid out by the French architect Louis Le Vau, reveals esteem for the rules of symmetry, clarity, and geometric regularity. These principles, in combination with a taste for spatial grandeur, dramatic contrast, and theatrical display, were the distinguishing features of the Classical baroque style. The grounds of Versailles featured sparkling fountains, artificial lakes, grottoes, a zoo, theaters, and outdoor "rooms" for private gatherings and clandestine meetings. If the exterior of Versailles symbolized royal grandeur, the interior publicized princely self-indulgence. Decorations included such luxury items as crafted silver, clocks, lace, brocades, porcelain, and fine glass. Versailles' salons were adorned with illusionistic frescoes, gilded stucco moldings, crystal chandeliers, and huge, ornate mirrors.
In its total effect, the palace is dignified and commanding, a synthesis of Classical and Palladian elements. Its calm nobility provides a striking contrast to the robust theatricality of most Italian baroque structures.