George Frederic Handel's Messiah is a/an_____.

Worlds of Music identifies this selection as a Peruvian wayno and also as a second example of the “Latin American ‘harp-country-genre.’” What was the other example of a Latin American harp-country-genre you listened to in connection with this chapter?

What will be an ideal response?

Exercises that put the character in the hot seat, interrogating them for questionable choices,

or discussing as the character are all examples of

A. the “Magic If” B. character confidence C. character explorations D. layering in conditioning forces