Which 19th century designer looked for radical changes in scene design where music, acting, scenery, and light became an integrated expression of the drama, and also advocated the elimination of painted scenery and all realistic objects?

Which of the following is a term that is used to discuss how much critical detachment a spectator has from the play?

A. verisimilitude B. alienation effect C. empathy D. aesthetic distance

Discuss the use of Euro American and traditional African musical features in the postal workers’ work “music.” How does the question, “Is this music?” relate to this “sound event”?

What will be an ideal response?