Nicolas Poussin modeled his Classical approach to painting most closely upon the work of

a. Michelangelo.
b. Leonardo da Vinci.
c. Titian.
d. Raphael.

Answer: d

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All of the following are true statements about Schoenberg's Piano Suite (op. 25) EXCEPT?

a) it is one of Schoenberg's earliest attempts at a large-scale serial work b) the movements are titled after Baroque dance forms c) it employs a complex distribution of row material between the right and left hands d) each movement is based on an entirely different tone row

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