On a film shoot, a French filmmaker of the late 1910s would typically light a scene:

A. as if lighting for a stage play, complete with spotlights following the major characters.
B. by starting with sunlight, then blocking off parts of the light to create dark patches within the set.
C. by eliminating sunlight altogether and creating desired effects with artificial light.
D. entirely with sunlight, even interiors.

Answer: B