Paul Strand's Abstraction, Porch Shadows reflects a twentieth-century effort to challenge the viewer's perspective with

a) odd or distorted perspective.
b) high contrast images.
c) patterns of light and dark.
d) traditional compositions.

Answer: a

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All of the following are examples of concert overtures by Mendelssohn EXCEPT?

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How was the use of musique concrète in the works of Pierre Boulez, Oliver Messiaen, and Edgard Varèse different from that of Pierre Schaeffer?

What will be an ideal response?

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