In the 1950s, ________ jazz offered a more subdued style with lyrical melodies, using instruments not commonly associated with jazz.

__________ is an icon that represents Japan, as seen in Katsushika's The Great Wave off Kanagawa (fig. 20.4)

A. Buddha B. Garden of the Daisen-in monastery in Kyoto C. Mount Fuji D. Himeji E. Kinkakuji

Describe the style and composition of The Banjo Lesson by Henry O. Tanner. How does the artist use and challenge the characteristics of Realism?

What will be an ideal response?