The stones used to construct Mycenaean fortresses were so large that the later Greeks called them __________

Simone Martini’s version of the Maestà resembles Duccio’s Maestà in that

a) it reflects the blending of sacred and secular in Tuscan culture. b) it utilizes hierarchical scale. c) it depicts a three-dimensional setting. d) its coloration emphasizes the beauty of the flesh.

In his painting Geumgangsan Mountains, the Korean Joseon dynasty artist Jeong Seon evoked an actual scene, and this pictorial approach is referred to as what?

A. True mountain painting B. True view painting C. Special landscape painting D. Window onto world painting