The main figure depicted on the Disk of Enheduanna was the daughter of the Akkadian king ______________

In the time of William Shakespeare and Christopher Marlowe, before the first notion of 'royalties' from a show, how did playwrights make money off a show once they sold it to a company?

A. Individual investors would pay the playwright to write more if they liked the play that they saw B. They didn't receive any money unless the script was changed, in which case they received a small fee for each change. C. They didn't. Once a play was sold, the playwright no longer retained any rights to it. D. Playwrights in Shakespeare's day never sold their plays, but simply produced them themselves.

In Joan Miró’s Woman Haunted by the Passage of the Bird-Dragonfly Omen of Bad News, the tormented quality of the organic shapes conveys the artist’s reaction to the __________.

a. Spanish Civil War b. Munich crisis c. 1930s Depression in America d. post-revolutionary Mexican government