What element of Giacomo della Porta's design of Il Gesù (Fig. 21-40) was widely influential?
A. the wide nave
B. the single apse and dome at the crossing
C. a two-story façade emphasizing with the nave elevation
D. all of the above
Answer: C
Art & Culture
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The pre-Raphaelites admired all of these painters EXCEPT
a. Michelangelo. b. Jan van Eyck. c. Sandro Botticelli. d. Raphael.
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The goal of the performance of the Ghost Dance, which developed in the nineteenth century, was to transport Native Americans to an ideal, pre-European-contact world filled with buffalo herds
Indicate whether the statement is true or false
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