In his nonrepresentational compositions dominated by simple geometric shapes, Kasimir Malevich attempted "to free art from the burden of the ____________."

Describe various possible structures/formats for plays; why might one have become more popular in the Western world than others? Why might some playwrights choose not to utilize that structure?

What will be an ideal response?

Which statement characterizes this excerpt?

a. Building in excitement through the varied repetition of the melody b. Decreasing in energy and excitement as the piece progresses c. Rubato throughout d. Somber and melancholy