The New German Cinema director Rainer Werner Fassbinder took the Hollywood melodramas of a filmmaker as a model of a socially critical yet emotionally engaging cinema. Identify this filmmaker.

The German-born composer George Frederick Handel turned to the production of the oratorio, a sacred opera sung with neither costume nor acting, after the mid-1720s

Indicate whether the statement is true or false.

Anselm Kiefer was one of the most prominent Neo-Expressionists. His work:

A. dealt directly with the trauma of Germany's past. B. explored the role of the subconscious and dream images. C. consisted of mass-produced replicas of works of other artists. D. was an exploration of flatness. E. inserted words resembling advertising slogans into public places.