____ was a prolific composer, writing works for many genres, even scores for the new twentieth-century medium of film

Chick Corea, Herbie Hancock, John McLaughlin, Wayne Shorter, Tony Williams, and Josef Zawinul were

a. hard bop musicians who eventually went on to play smooth jazz b. musicians in Miles's fusion bands that went on to become significant fusion artists c. musicians in John Coltrane's quartets that went on to become significant hard bop artists d. musicians who experimented with fusion but had more commercial success playing on acoustic instruments

You are the sound designer for a community theatre's latest production. After having been told what the play will be, you begin to setup all the mics you will need for the production based solely on how many actors the director told you there would be. While you are setting up the mics, the director learns of what you are doing and tells you that you need to read the script like the other designers and work on more than just making sure the actors can be heard. Using what you have learned, you can assume that the director's statement is most likely?

A. true, being able to hear the actors onstage is of little importance to a sound designer B. false, sound design does not depend on the other elements of theatre design, and does not need to understand the text of the play C. true, sound designers must read the play like other designers so they can gain an understanding of the mood and other sounds in the show D. false, sound designers do not need to read the script since they can learn everything they need to know for their area based on the other designs for the show