Maurice Maeterlinck's The Blue Bird is an example of

The production of spectacle for nineteenth-century melodrama became very literal and was aided by remarkable inventions applied to the stage

a. true b. false

J. S. Bach wrote

a. about 150 cantatas within his first three years in Leipzig, at the rate of roughly one per week. b. over 2,000 works for the organ during a three-year period. c. much of the music that is attributed to Handel. d. very little during his lifetime.