The protective prow figure from a war canoe is an example of art from __________.

This term has to do with the audience’s ability to remove themselves from a work of

art just far enough so that they can contemplate it—or even judge it.

a) Spectator Aloofness b) Art Detachment c) Aesthetic Distance d) Aristotelian Remoteness e) Quasi-participation

Based on the meter signature, how many measures does this sequence of notes represent?

A. 6 measures B. 2 measures C. 4 measures D. 8 measures E. 3 measures