What were the three main stylistic and formal features of postwar European modernist films? Describe how each of these features was employed, in the films screened in class or in the movies cited in the textbook, and explain how these features represented modifications of classical Hollywood storytelling and technique. Why was ambiguity cultivated by modernist filmmakers a central effect of these features?

In the history of art, the association of good with light and evil with dark was first fully developed by

a) Johann Wolfgang von Goethe. b) Michelangelo. c) Artemisia Gentileschi. d) Leonardo da Vinci.

One of the most important contributions to the sound of Andy Kirk's Twelve Clouds of Joy was

a. the number of players they had in each section b. dismissing bandleader Terrence Holder before moving to Kansas City c. arrangements by Mary Lou Williams d. Andy Kirk could play saxophone and tuba at the same time