The portrait of the emperor in the Basilica of Maxentius and Constantine rested in an apse at the end of the __________.

The figurative voyage from light to dark as one entered the Egyptian temple was represented by a room of

A. hypostyles. B. obelisks. C. pylons. D. None of these answers is correct.

To which church did Pope Julius II appoint Bramante as chief architect?

A. Florence's Duomo B. Sistine Chapel C. St. Peter's Basilica D. Notre Dame