In his analytical history of the Vietnam War, In the Year of the Pig, engaged filmmaker Emile De Antonio:
A. edited footages from Hollywood feature films about the war in Vietnam.
B. cues spectators what to think about the images through voice-of-God narration.
C. adheres to the continuity rules of classical Hollywood filmmaking.
D. uses one interview to contradict another.
Answer: D
Art & Culture
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