Molière's choice to end Tartuffe with the arrival of an emissary from the king to resolve the action of the play is an example of
A. deus ex machina.
B. exposition.
C. point of attack.
D. all of the above.
A
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British producer Michael Balcon achieved success at Gaumont-British through a policy of:
A. producing quota quickies. B. tailoring films for overseas audiences. C. making films with specifically British subject matter. D. adapting Shakespeare's classics.
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Consider Duchamp's Fountain and Boccioni's Unique Forms of Continuity in Space. Identify the movement(s) with which these artists are associated. How does each artist differ in his relationship to issues of technology and to the traditions of art?
What will be an ideal response?
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