The _____ was the English movement that refused to be tied to Realist subjects

Francis Ferguson, a 20th-century theatre critic, has argued that dramatic action builds through three steps: a. purpose, passion, and perception

b. purpose, knowledge, and misunderstanding. c. purpose, struggle, and knowledge. d. purpose, problem, and misunderstanding.

Architects and designers visually improve the basic structure of shelters with __________.

a. furniture b. monuments c. embellishment d. practical objects