By the second half of the nineteenth century, what was the typical size of an

In Hundreds of Birds Admiring the Peacocks painting by Yin Hong, from the late fifteenth to early sixteenth century, the peacock symbolizes

a) the Chinese emperor. b) the non-Chinese invading army. c) the reality inside the mind. d) the dichotomy of the northern and southern schools of Chinese painting.

According to the author, the impulse to create art comes from basic human interests in:6-4-2013

A. creating order and structure. B. exploring aesthetic possibilities. C. constructing images and forms that carry meaning. D. all of these. E. None of these answers are correct.