When we go to the theatre we know what is happening on stage is not real and so we put aside our concerns about reality and agree to accept the play's quasi reality. What is this called?

Sturm und Drang suggests a mode of expression that sought to:

a. frighten, stun, and overcome with emotion. b. amuse and entertain through witty contrast of musical ideas. c. show restraint, balance, and simplicity. d. combine French, German, and Italian instrumental traditions.

Which of the following is an example of outsider art?

a)  Rodia’s Watts Towers b)  Wireman’s Untitled (Watch Face) c)  Wallace’s Peony quilt d)  Retablo (artist unknown)