When Koi Konboro, the 26th king of Djenné, converted to Islam, what did he transform into a mosque?

Because of the power of an audience's mental and emotional participation in a theatrical event, those in authority may fear the effect theatre can have. This fear sometimes results in

A. the outlawing of disbelief. B. censorship. C. aesthetic distance. D. subsidy.

Borromini's buildings are characterized by

a. dramatic frontality and heightened proportion. b. curved movement from space to space. c. contrasting concave and convex forms. d. both curved movement from space to space and contrasting concave and convex forms.