As exemplified by Luis Garcia Berlanga's Welcome, Mr. Marshall (1951), la estética franquista ("the Franco aesthetic") in Spanish cinema referred to:
A. a muted affirmation of Fascist principles, expressed through fantasy and allegory.
B. an adoption of classical Hollywood techniques and subject matter.
C. a sardonic or an ironic treatment of apparently safe subjects.
D. a Socialist Realist-style treatment of historic national events and figures.
Answer: C
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