What is our major source of information about the performance practice and choreography of dance in sixteenth-century France?
A) Orchésographie by Thoinot Arbeau
B) Book on the Art of Counterpoint by Johannes Tinctoris
C) Tafelmusik by Sternhold and Hopkins
D) The Book of the Courtier by Baldassare Castiglione
A
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While this image depicts figures frozen in the midst of movement, which detail leads viewers to “see” suspended time released into action?
a) the space that will close between God’s and Adam’s fingers at center b) the green ribbon trailing beneath God that will unfurl c) the red drapery enveloping the figures supporting God that will open d) the head of the infant touched by God’s hand that will turn
Write a figured-bass symbol that represents a consonant suspension. For the pair of numbers that you write, indicate whether it would represent a root-position, first-inversion, or second-inversion chord.
What will be an ideal response?