In Der Freischütz Carl Maria von Weber elevated the dramatic role of the orchestra by a network of motives, tonalities, and identifying specific instruments with certain characters or situations

Chopin, Schumann, and Liszt composed piano music using small, rhapsodic forms. Which of the following is included in those forms?

A) etude B) nocturne C) impromptu D) all of the above

In contrast to the Greek practice of building a theater along the slope of a hill, _____ supported the rising seating of a Roman amphitheater

a. a cavea b. barrel vaults c. the frigidarium d. the arena