The Symphonie fantastique recounts Berlioz's passionate infatuation for:

How might the name of an object, such as the Woman from Willendorf, alter the way we understand it?

What will be an ideal response?

The orchestra of Orfeo

A) requires forty-two instruments B) requires the deepest contrabassoon ever heard C) requires a large pipe organ with seven manuals D) does not specify any specific instruments E) consists of only a harpsichord