In Michael Mann's The Last of the Mohicans, during the final combat scene,
A. Scottish dance music synchronizes with visual rhythms.
B. there is no sound, only silence.
C. traditional Magua tribal drumbeats punctuate the flying arrows.
D. the orchestral music is slow, deep, and foreboding to accentuate Magua fighters sneaking up on Chingachgook.
Answer: A
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