John Cage's Music of Changes is an example of:

The chorale fantasia is a lengthy work for organ that takes a chorale tune as a point of departure, but increasingly gives free rein to the composer's imagination

A) true B) false

What did New York audiences think of early forms of jazz (such as ODJB) in the 1910s?

a. they considered it to be a major new art form b. they were wildly enthusiastic about it c. they pretty much ignored early jazz d. they considered it novelty music—not to be taken too seriously