Throughout the big-studio era, what ethnic group of performers were almost invariably stereotyped as mammies, maids, or Uncle Toms?

In Benin sculpture, such as that of the iyoba, what represents Olokun, the Lord of the Great Waters?

a. a Portuguese soldier b. a mudfish c. a panther d. coral-beads

Which of these is NOT typically considered one of the basic questions the critic needs to answer?

a. What were the playwright, director, and other theatre artists trying to do? b. How well did the playwright, director, and other theatre artists do what they were trying to do? c. How valuable was the experience? d. Is the experience of the play worth the cost of the ticket?