Zhang Dali's motif of the silhouetted head, its negative space, and theme of displacement in Dialogue and Demolition No. 50 compares visually and thematically to

a) the central figures in Aspiration.
b) the banda dance mask.
c) the haniwa figures of Hinomaru Illumination.
d) the cast shadows in The Glass of Absinthe.

Answer: a