Which of the following is not associated with the spinning of the tower at crossroads along a Balinese cremation procession route?
A. Slow tempos and a highly melodic style of reyong playing in the accompanying beleganjur music.
B. A desire to confuse and drive away malevolent spirit beings that are intent on capturing the soul (atma) of the deceased.
C. A general increase in energy and intensity on the part of the beleganjur musicians and other processional participants.
D. The desire to embolden the soul (atma) of the deceased so that it does not flee from the tower.
Answer: A
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