In the 1940s, the Rodgers/Hammerstein musicals were not as stylistically forward-thinking as was

Anish Kapoor's Marsyas (fig. 13.24) takes it title from a character in Greek myth

Indicate whether the statement is true or false

Donatello’s David exemplifies a revival of the ideals of Classical Greek art in its use of __________.

a. contrapposto pose b. an idealized human form c. naturalistic physical features d. a mythological figure