What were the notable (and notorious) qualities that characterized the American underground films of the 1960s? In what ways did the practices of American underground filmmakers reflect contemporaneous trends in both the fine arts and popular culture? How are these dual influences combined and transformed in the cinema of Andy Warhol?

Who was an impressionist painter whose works are marked by careful observation of the human figure, often in awkward movements and positions?

a. Paul Cézanne b. Edouard Manet c. Edgar Degas d. Honoré Daumier

Under the direction of Felix Mendelssohn, the Gewandhaus Orchestra

A) dwindled away and fell into bankruptcy B) revived songs from past eras, but the public hated this and called it old fashioned C) moved to France D) became one of the finest orchestras in Europe. E) became an ensemble of strings only