Discuss De Stijl and the Bauhaus, and their influence on early 20th-century modernism, citing examples and artists/architects of each style

What will be an ideal response?

De Stijl, "the style," refers to a movement founded in the Netherlands that was influenced by Russian Constructivism. The most famous painter associated with it was Piet Mondrian, who distilled his art to what he considered the most universal signs of human order: horizontal and vertical lines and primary colors. To Mondrian, these formal elements radiated a kind of intellectual beauty that was humanity's greatest achievement. People surrounded by rational beauty would create a balance. Architecture reflected the De Stijl concept, as in the Schroeder house. Looking very much like a Mondrian painting, the house is like an inhabitable sculpture, with intersecting horizontal and vertical planes, primary colors, and symmetrical elements. Constructing with intersecting planes is also the principal behind Marcel Breuer's armchair. Breuer attended the Bauhaus, a school of design founded in Germany by the architect Walter Gropius. The Bauhaus was an ideal of collective artistic endeavor, and the student's education was designed to eliminate traditional divisions between painters, sculptors, architects, and graphic and industrial designers. Literally "building house," the Bauhaus sought to "build" new guiding principles of design compatible with 20th-century technology.